![]() ![]() While “Chemical” was my favorite video, I do have to acknowledge the video for “Saw Lightning,” which paired with images of Mars. The rings of Saturn are presented in such a different way than I’ve seen before, and the accompaniment with “Chemical” created such an immersive experience. The AI presentations of NASA’s data flow effortlessly and are beautifully matched with the gentle waves of Beck’s music. As I watched this video, I was completely mesmerized by the presentation of images and animations that brought this planet to life. Space and planetary concepts and structures are brought to life and made much more accessible through this multimedia presentation.įrom the visual album, my favorite video was for “Chemical,” which paired with images of Saturn from the Cassini-Huygens mission. In these juxtapositions of space, humanity and natural life, I truly felt a sense of awe and curiosity regarding space and the worlds beyond our own. Yet, in the video focused on Earth, I felt a sense of defamiliarization and I couldn’t quite place what I was seeing. These corresponding images work to continue the discussions of space present on “Hyperspace,” but rather than a simple auditory experience, these pairings truly immerse the audience in the “hyper-real.” The visuals of space are completely immersive, and at times the visuals call attention to the more human lyrics present in Beck’s songwriting. “Stratosphere” is matched with images of the Milky Way from the Spitzer Space Telescope, “Star” is paired with images of various stars and galaxies taken from the Hubble Space Telescope and “Dark Places” is matched with images and animations of black holes observed through the Hubble Space Telescope. The original “Hyperspace” was filled with references to the sky and space, and these pairings are further continued in the visual experience. Throughout the visual album, some songs - while rearranged - are used to aptly pair the audio experience with the visual effects. I hadn’t expected to see this track set to solar imagery, but the pairing emphasizes discussions of mortality, while the images inspire an awe-filled appreciation of our small place in the larger universe. From the 2019 album, “Die Waiting” was one of my favorite songs. Exploration” opens with “Die Waiting,” a track paired with images of the sun - primarily captured from NASA’s Solar Dynamics Observatory. The new layout of “Hyperspace” brings the audience into space - it is real and immediate, with an emphasis on percussion that echoes the harsh reality of the final frontier. The 2019 version of “Hyperspace” feels dreamy, soft and glides through references to space. The new takes on these tracks add percussive elements that help to emphasize some transitions between NASA’s images. Four tracks - “Die Waiting,” “See Through,” “Hyperspace” and “Star” - were reworked for both the visual album and the traditional audio release. Beck recorded this acoustic track while in quarantine, and in the context of the 2020 release, it brings an unrefined and honest viewpoint amid more glamorous and stylized space-focused songs. However, the most successful track on the extended section of the album is “I Am The Cosmos.” This cover of Chris Bell’s song brings a sense of humanity to the tracklist. These new takes on the album reiterate themes of exploration that are seen and felt throughout the audiovisual experience. The 2020 audio release of “Hyperspace” features new remixes and soundscapes inspired by the 2019 album. Some tracks from the album were reworked to flow more smoothly with the NASA images, as the soundtrack of Beck’s album progresses from the sun and the planets in our solar system, to larger structures and phenomena within our universe, galaxy and beyond. ![]() The Auditory ExperienceĮach track from the 2019 “Hyperspace” album is set to images from corresponding NASA missions. The visual album features 3D visualizations, animations and simulations to supplement the data provided by the NASA archives. This project seeks to answer the question, “How would artificial intelligence imagine our universe?” The Osk artificial intelligence program was trained on data from NASA’s various photographs and recordings of stars, planets and space. Exploration is an interstellar journey through a series of hybrid data and music videos featuring real NASA data transformed through artificial intelligence by Osk scored to Beck’s Hyperspace.” This visual album, hosted on Beck’s website, features images curated and processed through artificial intelligence. 12, Beck released a new version of his 2019 album, “Hyperspace.” This new release features a visual component created in collaboration with NASA and the Jet Propulsion Laboratory.
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